Wednesday, February 17, 2010

From Jo Dee Messina's Music Room (in Iowa)

(Blogger.com seems to be having trouble keeping videos running.
Complaints from multiple bloggers on this site have gone unanswered since January. Sorry for the periodic "unavailability" of videos!)

Every so often Ticketmaster comes through with a “bonus” of sorts. Last week I received an email from them offering free tickets to see Jo Dee Messina in a small venue show at a casino just outside of Des Moines. Although it was taking place the evening after I was seeing Tim McGraw in Madison, I couldn’t pass by “free”, especially since hubby would still be out of town. I made arrangements to meet my youngest daughter for dinner in Ames beforehand (she’s still not old enough to get into the casino so couldn’t go to the show with me). I drove straight through - Madison to Ames - without stopping at home. Annie and I had a fun dinner at a new Mexican restaurant and then off I went to the Meadows Event Center at the casino.


Jo Dee’s show was billed “From the Music Room” and was truly unique. Specifically geared for small venues, it makes use of a stage set modeled after her music room at home - with sofas, chairs, lamps and a grand piano. A few band members are hanging out in the music room with their instruments. Jo Dee was dressed casually and told us her goal for this show was to let her fans get to know her more as a person. The show had the atmosphere of an extended ‘meet and greet”!  Throughout the ~90 minute performance Jo Dee took many questions as well as musical requests from the audience. Of course some predictably requested her hits, but others asked for lesser known tracks from her albums and she was game for them all. Some asked questions about her music, others about her family. One (silly) asked if after the show she was going to go down the street to see Tim McGraw at the Des Moines arena where he was playing that night. She had fun with that one, acting out how she would say “ Hi Tim - came all the way to Des Moines, IA to see you even though you live a half mile from me...” She talked a little about the trials and tribulations of making albums and says she hopes (but cannot promise) that her new album will be out April 13.  Here she is doing “I Can’t Make You Love Me” http://www.youtube.com/user/iowalw#p/a/u/0/Zux3MgTSFas


Jo Dee has quite a sense of humor and sometimes cracked us up with her ‘monologue” about her band or family. She was struggling with a bit of a cold and complained about how flying with her head all stuffed up had been miserable, and had affected her ears, so we should pardon her if she “sounded like Taylor Swift at the Grammys”. When everyone howled with laughter  she followed it with “And now I’m going to hell in a handbasket, and you all are going with me!” (she later said she was just joking and had Taylor’s music on her Ipod). She invited a few fans up to sit on the comfy sofas on stage while she performed. Here is a bit from “Bye Bye Baby Bye Bye”  http://www.youtube.com/user/iowalw#p/a/u/1/qgXq4qBCVLU


A favorite ‘personal’ moment - Jo Dee borrowed her husband’s cell phone (he was in the audience) and, holding it up to  a microphone, played a couple minute video of her one-year old having an extended belly laugh that just went on and on and had all of us laughing along.


One of her last songs was “I Wish You Love”  http://www.youtube.com/user/iowalw#p/a/u/2/zzRqLtw2mXs


I enjoyed all of Jo Dee’s songs, but really enjoyed this very novel, very warm interactive treat of a show for her fans. I’ll add a few shorter clips below including a bit of a new song from Jo Dee.


Sunday, February 14, 2010

Lady Antebellum and Tim McGraw Amaze Madison





I had been too long without a concert and had no hope of satisfying my KU cravings until March. When hubby was going to be gone for a weekend I decided to take a roadtrip for another combo of artists I enjoy - Lady Antebellum and Tim McGraw.  I joined Lady A’s relatively inexpensive fan club in hopes of getting a better seat and bought one for the Madison, WI show. Strange thing about the Lady A presale (don’t know if this was also the case for those in the McGraw fan club)- presale tickets were offered with NO seating info! You had to order a ticket sight unseen and did not know its location until you picked it up at will call the day of the show! I hoped that what I had heard from others about the newer artists often offering good seats was true and went ahead with the purchase. The folks sitting next to me had bought their tickets in the McGraw pre-sale, so it appeared the Lady A and McGraw fan seats were intermingled.


The drive to Madison is a pretty one - winding four-lane cut through Wisconsin’s rocky (sandstone?) hills and the afternoon was bright and sunny. I couldn’t leave town until after my last class of the week, so my timing was a bit tight. I checked into my hotel and walked the half mile to the Alliant, freezing my ears because I left behind my hat. I accidentally managed to briefly “attend” the Tim McGraw backstage experience. Well, actually, I was on the wrong side of the mere curtain that screened off the event and was just 10 feet from Tim singing “Don’t Take the Girl” to his fans. Then I headed into the arena and they turned out the arena lights for the opening act just as I reached my seat. 


The Alliant Energy Center (or what used to be the Coliseum) in Madison is one of those round space-ship looking arenas - medium sized, with very shallow rise lower riser seats (almost like elevated floor seats). My will call ticket was a decent floor seat in row G of the rear floor seats. Too far and too many heads for a good view of the stage but not too far from the end of catwalk that Tim and Lady A used some of the time.


The opening act was the Lost Trailers, a band I had seen once or twice before. Not too much of their own music grabs me (partly because it is unfamiliar but also a bit twangy for my tastes), but I do enjoy their covers. This time they chose to sing my favorite Jason Mraz song “I’m Yours” and that was really fun.


Lady Antebellum had a fun prelude to their appearance on the stage. The video screens showed someone doing a Google search of “lady” and brief flashes of other “lady” related entertainers (Lady Gaga, Lionel Richie’s Lady, Styx’s Lady, Tom Jones singing She’s a Lady, etc.) before finally finding Lady Antebellum. The members of Lady Antebellum looked and sounded great. They began with “Stars Tonight” from their new album, with its concert appropriate lyrics “everybody’s singing, everybody’s screamin’. A good song, but since their album is so new I’m afraid there weren’t too many singing during that or the other new tracks they performed (besides Need You Now), but I guess that is part of the point of touring. They got a great response to all their better known songs and the crowd was on their feet throughout. They also totally rocked the audience with a terrific cover of R-O-C-K in the USA. I do wish that they would chat a little or tell a story or two to let us know them a bit. Charles did mention that they had a special guest in the audience - Bob Seeger. Hillary and Charles (what a cutie) also managed to slap quite a few hands while performing (although nothing like the number of fans that McGraw later made contact with!!). Lady A is still performing without any special staging or effects, other than moving out a piano for a couple songs. Hilliary and Charles did begin Need You Now standing on opposite ends of the crosswalk that ran from the left risers to the right risers (see http://www.youtube.com/watch?v=CECpC4TWi48 )

 and then joined midway at the climax of the song - that was nice. They closed their set with “Run to You” during which Hillary accepted a cowboy hat from a fan. See: http://www.youtube.com/watch?v=y2Q5Hd41rug  Too bad the brilliant lights on them wash out the videos something awful.


A heavy canvas curtain had kept most of the stage hidden during the first two acts. During Tim’s opening they projected his enlarged shadow, with his distinctive cowboy stance and hat, on the curtain, eliciting screams even before the curtain dropped. He riled up all the ladies in the crowd by starting out with a provocative rendition of “I may be a real bad boy, but baby I’m a real good man.” I’d have to say, though, that there was much closer to an even distribution of males and females in this audience than I am used to, as well as more older couples, so the screams weren’t deafening: ) As he walked forward from the rear of the stage I thought Tim was wearing a leopard-spotted  black on white shirt, but once he came out on the catwalk I could see it was more of a multi-color seventies style shirt with flowers and stars among those spots. I must say that at first, from stage, he hardly looked like the Tim I expected. He has a pretty heavy dark beard (maybe for the film he is working on?) which really changes his appearance, especially from a distance. (I personally will be glad when the beard goes away).


Tim has an exceptionally wide, unbroken video screen this year, with a top edge that sort of stair-stepped down towards either side. Something about the screen gave it a bit of an “infinity” feel to it, like I was really looking off at the horizon. There was a catwalk that came out nearly to the center of the arena, as well as a crosswalk that paralleled the stage that allowed the performers to walk towards the risers on either side.


Tim’s second song was 1-2-3 - Like a Bird I Sing. I don’t know if his staff had scoped out the audience ahead of time, or if they had guests near the catwalk, but just a couple lines into this song Tim leans down and scoops up a tiny girl in pigtails and a pink cowboy hat from the audience who, not only seemed unruffled by this, but also vigorously sang along with him as he crouched beside her. See my brief YouTube clip at: http://www.youtube.com/watch?v=RVamD8hldUo


Tim then sang many favorites (Where the Green Grass Grows, Let It Go, She’s My Kind of Rain, I Like It, Back When, BBQ Tee-shirt, Just to See You Smile to mention a few. A couple times during the show Tim would sit at the end of one of the walks with his legs dangling down among his rapturous fans. He signed lots of autographs while performing  (wonder what they actually look like when he is on the move like that!). About midway in his set he brought out a stool and his guitar and a tall narrow fluttering curtain was lowered behind him. That flimsy moving curtain became kind of a translucent video screen projecting a huge somewhat ghostly image of Tim playing his guitar. See my clip: http://www.youtube.com/watch?v=0rmqLRUE6Xg

Tim did tell us a few fun stories. His first solo acoustic number from his stool he said was the first song he learned to play on the guitar. He went on to say he had gone to a pawn shop and traded his high school ring for a used guitar “ so I could get laid.” LOL “And it worked1” LMAO “For a while anyway.” He also talked about performing for twenty years, claiming 20 years ago he was in 7th grade (see clip at my blog) - LOL. After that he then brought out the Warren Brothers to accompany him on several songs. They cracked the audience up by immediately beginning to sing the chorus from Taylor Swift’s “Tim McGraw”. Then one of them said that Tim had paid them to write that song for Taylor (LOL).  Once they got serious, Tim and they did a beautiful rendition of the Warren Brother song “Blank Sheet of Paper”. See: http://www.youtube.com/watch?v=Inb6GOS2Lls


I was totally surprised later when Tim began singing Elton John’s Tiny Dancer!! See: http://www.youtube.com/watch?v=r-qK3AVBm9A  I learned later that is not something new, but it was new and unexpected for me, a latecomer to country music. Then more favorites, finally closing with one of my favorites, the inspirational “Live Like You Were Dying” (just what I am trying to do). Tim, by that point, looked cutely casual with one of his shirttails sticking out  instead of his usually carefully tucked appearance. See: http://www.youtube.com/watch?v=pjSWKNe6jys  It was a great evening and temporarily eased my concert yearnings.


Postscript: I could see my hotel in the distance when I left the arena. I and many others angled across the parking lot in that direction, only to find ourselves nowhere near a cleared exit or path. So, rather than backtracking, I chose hiking across a snowy field and over a mountain of plowed snow to reach the street ---COLD piggies for sure since I had no boots!


Tim talks a little (below) and sits among fans (next after that):

Sunday, February 7, 2010

Rhapsody in Cedar Falls



Another great night at the Gallagher-Bluedorn Performing Arts Center! Thanks so much to the Waterloo-Cedar Falls Symphony, conductor Jason Weinberger, and special guests Miguel Atwood Ferguson and Gary Kelley for an interesting and inspiring concert that was a delight to both eyes and ears. The visual excitement came not only from the perfect paced presentation of Kelley's art during the Ellington-Gershwin half of the show, but also from most extraordinary view I had of Jason's wonderfully expressive 'dance' as he lead our talented orchestra though each piece. Although my right side row C seat did not afford a full view of Ginadi Zagor's passionate performance on the grand piano during my favorite 'Rhapsody in Blue", I felt the passion in the music. Kelley and 'Blue' provided the perfect climax to the evening!

Saturday, February 6, 2010

In Praise of Pilobolus


I was so pleased when I found out that the contemporary dance troupe Pilobolus had been invited to return to our Gallagher-Bluedorn Performing Arts Center in celebration of its 
10th anniversary. Pilobolus, consisting of 4 men and 2 women, all extraordinarily talented, is one of my very favorite dance groups. 
I never miss an opportunity to see them perform. Their program 
this time included a mix of new and familiar pieces and I thoroughly enjoyed every minute. But I am afraid I am even more woefully unable to adequately describe their wonderous to comical to joyful to profound movements than I am to put my musical experiences down on paper, so pardon me if I sometimes borrow descriptions from those more expert at this task.


lanterna magica
The first dance, Lanterna
Magica, began in complete
darkness until tiny on-off
random beacons of firefly
like lights the dancers moved
across the stage immediately
created the feeling of a
summer's night. Some of
these flickering lights were
captured by two young girls
to create the 'magic lantern' of
the title. The lantern then is
the centerpiece of the girls'
interactions with four ghostly
sometimes men-sometimes nocturnal creatures during
the midsummer's night
dream-like sequence. Excerpt:
http://www.youtube.com/watch?v=55FoeUztSLw

gnomen
This was followed by the
powerful and visually
beautiful "Gnomen" which 
we might translate to
"know-men". Let me quote
a bit from Charles McNulty's excellent review:
"Gnomen,” dedicated to the memory of the Jim Blanc, a Pilobolus dancer who died
from complications from
AIDS, is the most muscularly poetic of the pieces. A male quartet in black briefs tests
out the possibilities of relationships as music by
Paul Sullivan and throat
singing by Matt Kent 
resound. At times, the
dancers (each uniquely
excellent) resemble a lump of flesh; at other, they
differentiate into individual identities, almost like a cell undergoing mitosis. Strength
and flexibility keep setting benchmarks as the men
become acquainted with
distance and intimacy. The physical vocabulary may be
too attention-grabbing for 
such a delicate poignancy
(at one point a fellow is amazingly hoisted on the
bionic feet of his comrades)
but the inventive co-mingling 
is infinitely watchable."
I can only echo Christopher
Atamian's apt description of Pseudopodia: "Just seeing Jun
Kuribayashi perform the short but stunning 1973 solo 
Pseudopodia, by Jonathan Wolken, made attending Pilobolus worthwhile.Kuribayashi summersaults backwards onto the stage, achieving remarkable moments of tension, relaxation, and balance. The term
“pseudopodia” refers to a contracting or projecting mechanism used by certain cells; it’s what amoebae use to locomote. With his sense of equilibrium, his ability to hold summersaults in improbable positions, and his amazing flexibility,
Kuribayashi must come as close as a human can to mimicking this type of
movement."



A brand new piece "Duet Not Yet Titled" might well keep its name since it is, in fact, a fun romp which begins with a couple who have not yet become 'man and wife'. Groom chases bride across the stage, then bride chases groom. Eventually the couple finds their fit together and become inextricably entwined and inseparable.


Again Charles McNulty provides a great description of the amazing piece "Megawatt" where the dancers appear jolted into frenzied seizure-like activity, like drops of water falling on a searing hot grill:
"In 
Megawatt (2004, also by Wolken) the performers jig out onto the stage on their backs as if they were being electrocuted. There’s something slightly disturbing about watching them twitch and gyrate so convincingly, but the piece also affords them a chance to display their own wonderfully individualistic takes to hard rock by Primus, Radiohead, and Squarepusher."




See an excerpt at:

http://www.youtube.com/watch?v=hBPafUYYJe4
Even if you haven't been to a Pilobolus performance, you may well have seen and appreciated their humor, creativity and skill elsewhere:
Do you remember this from the Academy Awards the year that Happy Feet
was among the winners?http://www.youtube.com/watch?v=PiX-DW8Qk4w
Or their "Human Car" commercial? http://www.youtube.com/watch?v=9-Qu_A9BZi8
Or the magic of Pilobolus's Shadowland performances?  http://www.youtube.com/watch?v=QgvmlqqkofM
If you have the chance to see this group live,  then leap, tumble, twitch or race to do so!!