Showing posts with label Pilobolus. Show all posts
Showing posts with label Pilobolus. Show all posts

Saturday, January 29, 2011

Perfect Pilobolus in Des Moines


When I saw that my very favorite dance troupe, Pilobolus Dance Theatre, had a date scheduled in Des Moines, I was sore tempted even though Des Moines (a little over 2 hrs aways) is not easy for my to do during the week. I searched for tickets and only turned up nosebleed seats in the Civic Center and thought, okay - its not worth traveling for that.

Well, about a month later I saw another posting about their show and decided to try again. I tried for a pair of seats and turned up nothing desirable. So I looked for a single and - success!! - it actually gave me Row A Seat 50!! First row!! I figured it was probably the last seat in the row but I considered it a sign that I should make the trip to Des Moines and bought the ticket.
But, still hoping my daughter might be able to go with, I searched for one more single. And YES - row A seat 49 came up!! (I don't know why my search for a pair of seats didn't reveal this set).

Poor Annie was experiencing flu symptoms the week of the performance and for a while it was uncertain whether she would be up to a night out. But she felt a little better and decided to come along with plenty of cough drops to stifle her cough. She was a trouper but I felt bad that she wasn't ffeeling herself.

We arrived at the Civic Center in time to catch a pre-show question and answer session with a member of the troupe, which was very interesting. When it ended and we headed into the main theatre, I told Annie that I thought we'd have the last 2 seats in the row. But no, the usher pointed us down that long row - were we on the opposite side?? Nope - seats 49 and 50 were smack dab in the center!! I don't know how we got so lucky - seats probably reserved for friends of the troupe must have been released late in ticket sales. So Annie and I had a very up-close and personal view of these extraordinary performers.

We had been given a bit of a heads-up about the program for the evening during the question and answer session which oriented us to each piece. The first untitled piece began with the two women in the company in long calico dresses, with one brushing the long hair of the other before putting her wide brimmed straw hat one. The music suggested the dance would be portraying early Americana, but very quickly we were wonderfully surprised - feeling a bit like we had fallen down Alices's rabbit hole just about the time that Alice ate the tidbit that made her grow to giant proportions. Suddenly these diminuative dancers (perhaps 5 feet tall) became about 8 feet tall as they swirled about the stage in their long dresses!! (Long dresses that now could not disguise rather hairy masculine legs. What a trippy experience! The piece continued with surprise after surprise, some funny, some thought-provoking, all allowing totally different impressions of "bodies" which no longer followed the usual rules of biology. What a fun and amazing piece!!
(They warned us before the show that use of any cameras was illegal, but I have found a couple little samples of this dance online).
"Untitled"

Pilobolus is well known for doing incredible shadow work and has had pieces featured during the Oscars and other nationally televised shows. We got a small sample of their creative combinations of superb body control and the use of shadows in the second piece Wednesday night. Again I was lucky enough to find a bit of it captured online:
Shadowland: The Transformation

The third piece I had seen before but it was no less marvelous the second time. "Gnomen" makes use of all four supremely toned, muscular, incredibly strong, balanced and yet oh-so-gentle men in the company - men made all the more beautiful because they span the range of skin tones. They make such difficult feats of passing full-grown male bodies on meer finger tips (or even toe tips) seem so effortless, so graceful you'd think the bodies must be weightless, like in outspace. Each man in turned, just gave over his body to the others, with perfect trust on the timing, support, and (what looks like) the gentle touch of the others. This is such a stunning piece!

Intermission was followed by the totally light-hearted, humorous "Walklyndon" portraying th antics of athletic 'speed-walkers' rushing back and forth across the stage.

What Gnomen was for the men of the company, "Duet" was for the two Pilobolus women - intimate and varied interaction between two incredibly strong and supremely controlled  performers, sometimes so fused that they moved as one, other times one being completely dependent on the balance and strength of the other.

The final piece of the night was the really hard-hitting a rhythmic "Redline" with the entire troupe moving powerfully, making amazing moves continuously to a driving beat that sounded something like a massive fast-paced factory line. I felt out of breath just watching them!

Do see Pilobolus if you get a chance! They are unique and wonderful!

Postscript: Had to drop my daughter off in Ames by Iowa State University, then stopped at McDonalds for a big cup of caffeinated pop for my late-night ride home. Shortly after pulling out of their lot, the Ames police pulled me over. Seems that they want you to drive with your lights on at night in Ames : P


Saturday, February 6, 2010

In Praise of Pilobolus


I was so pleased when I found out that the contemporary dance troupe Pilobolus had been invited to return to our Gallagher-Bluedorn Performing Arts Center in celebration of its 
10th anniversary. Pilobolus, consisting of 4 men and 2 women, all extraordinarily talented, is one of my very favorite dance groups. 
I never miss an opportunity to see them perform. Their program 
this time included a mix of new and familiar pieces and I thoroughly enjoyed every minute. But I am afraid I am even more woefully unable to adequately describe their wonderous to comical to joyful to profound movements than I am to put my musical experiences down on paper, so pardon me if I sometimes borrow descriptions from those more expert at this task.


lanterna magica
The first dance, Lanterna
Magica, began in complete
darkness until tiny on-off
random beacons of firefly
like lights the dancers moved
across the stage immediately
created the feeling of a
summer's night. Some of
these flickering lights were
captured by two young girls
to create the 'magic lantern' of
the title. The lantern then is
the centerpiece of the girls'
interactions with four ghostly
sometimes men-sometimes nocturnal creatures during
the midsummer's night
dream-like sequence. Excerpt:
http://www.youtube.com/watch?v=55FoeUztSLw

gnomen
This was followed by the
powerful and visually
beautiful "Gnomen" which 
we might translate to
"know-men". Let me quote
a bit from Charles McNulty's excellent review:
"Gnomen,” dedicated to the memory of the Jim Blanc, a Pilobolus dancer who died
from complications from
AIDS, is the most muscularly poetic of the pieces. A male quartet in black briefs tests
out the possibilities of relationships as music by
Paul Sullivan and throat
singing by Matt Kent 
resound. At times, the
dancers (each uniquely
excellent) resemble a lump of flesh; at other, they
differentiate into individual identities, almost like a cell undergoing mitosis. Strength
and flexibility keep setting benchmarks as the men
become acquainted with
distance and intimacy. The physical vocabulary may be
too attention-grabbing for 
such a delicate poignancy
(at one point a fellow is amazingly hoisted on the
bionic feet of his comrades)
but the inventive co-mingling 
is infinitely watchable."
I can only echo Christopher
Atamian's apt description of Pseudopodia: "Just seeing Jun
Kuribayashi perform the short but stunning 1973 solo 
Pseudopodia, by Jonathan Wolken, made attending Pilobolus worthwhile.Kuribayashi summersaults backwards onto the stage, achieving remarkable moments of tension, relaxation, and balance. The term
“pseudopodia” refers to a contracting or projecting mechanism used by certain cells; it’s what amoebae use to locomote. With his sense of equilibrium, his ability to hold summersaults in improbable positions, and his amazing flexibility,
Kuribayashi must come as close as a human can to mimicking this type of
movement."



A brand new piece "Duet Not Yet Titled" might well keep its name since it is, in fact, a fun romp which begins with a couple who have not yet become 'man and wife'. Groom chases bride across the stage, then bride chases groom. Eventually the couple finds their fit together and become inextricably entwined and inseparable.


Again Charles McNulty provides a great description of the amazing piece "Megawatt" where the dancers appear jolted into frenzied seizure-like activity, like drops of water falling on a searing hot grill:
"In 
Megawatt (2004, also by Wolken) the performers jig out onto the stage on their backs as if they were being electrocuted. There’s something slightly disturbing about watching them twitch and gyrate so convincingly, but the piece also affords them a chance to display their own wonderfully individualistic takes to hard rock by Primus, Radiohead, and Squarepusher."




See an excerpt at:

http://www.youtube.com/watch?v=hBPafUYYJe4
Even if you haven't been to a Pilobolus performance, you may well have seen and appreciated their humor, creativity and skill elsewhere:
Do you remember this from the Academy Awards the year that Happy Feet
was among the winners?http://www.youtube.com/watch?v=PiX-DW8Qk4w
Or their "Human Car" commercial? http://www.youtube.com/watch?v=9-Qu_A9BZi8
Or the magic of Pilobolus's Shadowland performances?  http://www.youtube.com/watch?v=QgvmlqqkofM
If you have the chance to see this group live,  then leap, tumble, twitch or race to do so!!