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After gushing over that pleasant surprise I noticed something else. There was no person-sized gap between the catwalk railing and the catwalk on the side we were sitting. When we arrived the railing was about 8 inches from the walk but as soon as people started leaning on it it moved even closer. We, like the women I had observed with envy in
I noticed that there was an orange piece of tape on the catwalk next to me and I hoped it meant something special. And it did – from the very start. Once
I caught a hand slap from Brian (tonight in a purple dress shirt with his vest and tie) after their catwalk trip at the end of Faster Car, and Brad Rice actually handed me (rather than tossing) his guitar pick, so I was getting “touches” right and left, but you know who I was waiting for!
My prayers were answered when the orange tape also turned out to mark the spot for the ROS microphone!! I watched (with rapid heartbeat) Keith’s slow approach as he strummed that long introduction to ROS and came to stand right in front of me, inches away. He smiled as extended arms all along the catwalk stretched out hoping for a touch. I didn’t even have to stretch – that suede boot was smack dab in front of me, so I gave it a rub, remembering how he teased us by pulling off those boots one at a time in that Moline KU-Tube videotape. It was early in the evening and he was singing so sweetly, I was still a bit timid and stood there, enraptured, for the rest of the song, just swiping at the edge of his jeans as he turned to retreat down the walk. But all evening he sauntered first close to one edge of the walk, then across to the other side – by no means staying in the center where he would be most out of reach. I took that as a bit of an invitation! He returned to the orange tape multiple times and by the end of the evening I had twice felt that muscular right calf and was so tempted to reach higher…. .. Joan was snapping pictures all the while – maybe she caught one of my Keith “contacts”. (And here is one of Linda feeling up Keith….)
I noticed during all the shows this weekend the songs were peppered with extra “Sweet babies”, “Pretty babies” and even a “Sweet baby girl”or two. Maybe he is pining for his sweet baby. Also a few lyric changes here and there although at the moment I am blanking on the one or two I told myself to remember for you all. The audience in
The music, as always, was just wonderful, the guitar work astounding! Keith was in fine voice and even sang us a few extra songs (“You’re not ready to go home yet, are you?” And the audience gave a resounding NOO!!!) So, during the encore, they did a long rendition of The Joker, with
Keith once again stayed around after the rest of the band left the stage, slapping hundreds of hands. He even jumped off the small stage (into the fenced in area surrounding the stage) to get to more fans that were still standing around that enclosure. And I got a hand grasp on his final return down the catwalk (so at least one touch of the evening was “voluntary” rather than me just copping a feel – lol! And during that brief grasp I got out a “Thank you Keith for a fantastic night!” My newly initiated urbanite friend agreed that it was the best concert she had ever seen. Having begun with catwalk seats though will she ever be able to sit elsewhere? That’s two Iowa Urban virgins that I have induced to travel a couple hundred miles each to their first KU concert this weekend – one to Chicago and one to St. Paul. Have I earned my KU Girl Scout badge yet?
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