Oh My! Magnificent Mohegan!

Well if my glorious summer long KURT has got to come to an end, today and tonight’s totally fantastic incredible concert was just the perfect way to bring it to a close. What a special day! It began with Keith getting his star on the lobby floor of the Mohegan Arena – a lovely blue star – bigger than Toby Keith’s and Jon Bon Jove’s nearby stars and with the nice touch of the lettering being based on Keith’s signature, I think, rather than regular printing. Although only those fans who made it to the very front of the sizable crowd could really see much of Keith or the brief ceremony (and shake hands or touch him as I’m sure you will hear about!), at least one of our fan group used her front position to get a great video of it all. I knew I couldn’t stand in the crowd over an hour ahead of time and still be able to stand throughout tonight’s show so I opted for riding up and down the escalator across the lobby about 6 times during the ceremony so that I could catch a few snaps over the heads of the audience when I was mid-escalator!

That gathering brought together members from several boards that I had been waiting and hoping to meet – what fun getting to know everyone and taking multiple photos together, with different subgroups getting drinks and/or dinner together. I won’t name them all because some have different screen names on different boards. All special ladies (and a hubby and a daughter) – so nice to now have faces and voices and laughs to go with the “personalities” I was already familiar with.

Then it was finally showtime – or so we thought – but someone had goofed (Mohegan? Ticketmaster?) when listing it as a 7:00 show – it was actually a 7:30 show, and the crowd was getting antsy when the doors did not open until 6:30. The Mohegan is a smaller arena seating only 10,000 when there is not a catwalk and second stage – so had a much more “intimate” feel to it than many of the venues. And after all our worrying there WAS a catwalk and second stage (hallelujah!) so we were all so excited and pleased!! More good fortune because I just happened to have a seat next to yet another board member I had hoped to meet! We visited a little before and after the Wreckers. I was torn between staying there in a pretty nice middle lower riser seat, or going down to the other rear floor seat I had never successfully sold because no one expected a catwalk. Now this second seat was about 5 seats from the very end of the catwalk! I decided to head down to that floor seat after the Wrecker, hoping for a few close-up views of Keith on the walk and second stage. Turned out to be a great decision as I’ll explain in a minute.

Tonight Keith played a guitar I didn’t remember – a rather bright greenish-blueish one – I believe it was during Blacktop but I’m not completely sure. He was dressed in brown this evening and was in a particularly goofy mood, really hamming it up on stage. It seemed he was into making faces and funny expressions tonight. I can’t recall them all but especially liked the couple quick eyebrows raises and conspiratorial look he gave the audience before he made his “charge” towards Jerry during that little guitar “duel” at the beginning of WWWBM, and also liked when he decided to stick his puss way up close to the camera when one of the camera guys was filming one of his kneeling at the edge of the stage guitar solos. He also on several occasions put a little extra country lilt or upward inflection of voice at the ends of lines of some of the light hearted songs. I was impressed, as always, at how he could go from the raucous, playful voice that he used in YLGIMS one minute, and then, in the very next song, accomplish perhaps the most beautiful rendition of TIWC of the tour – what emotional vibrato, that quaver in his voice does me in every time – with just a bit of an extra piano prelude before TIWC to help him switch moods!! How does he do that??

I must go back to YLGIMS – Keith walked through the audience tonight!!! Not the path he used to take, but instead up one of the staircases into the lower risers and then continued to sing YLGIMS for a bit from the risers, interacting with those surrounding him!!! And he wasn’t savaged so maybe we will see more little walks in the future. Then when he arrived back on the stage he collapsed onto his back and did some of his “laydown guitar playing” : ) so all sorts of goodies from the past are returning. So much fun to have those extras!! He seemed so happy and excited all evening – we got several “oh hell yeses” tonight and he broke out laughing several times (laughing at himself most times). But he was serious as times too, making a couple mentions about being “detoured” from his last Mohegan visit and apologizing to those who had traveled there last October, thanking everyone for sticking with him.

I must say I had good timing tonight. Each time I knew a bit of catwalk performing was about to occur I was able to slip out of my floor seat row and move up to the rail surrounding those techies that sit near the small stage for an even better view of ROS, the catwalk ending of Faster Car and Better Life, part of SLY and his back to back return to the stage with Brian Nutter. And then I managed to be the first one to arrive at the small stage when they came down for their set there, so I was positioned on the rail right in front of Keith for those 3 songs. I felt like he was singing right to me (and I’d like to think there was some eye contact there!). Although I mostly stared at the passionate singing of Mr. Gorgeous, I also noted from that close up view that Chris M. burns incense by his small stage drums! And that Chris had a red, white and blue stars and stripes maraca tonight during Better Half.

No cell phone wave tonight although cell phones were out in good numbers. The crowd was very loud and active tonight and Keith thanked us for making it such an incredible night. During Better Life, when he moved to stage right he motioned for a little girl in a cowboy hat to some up front. She was so short I couldn’t see if she got a hug or a kiss, but the crowd roared their approval. Chris M. also got a big hug from Keith during the final bows – not sure what exactly sparked that..

“Everybody” seemed especially beautiful and touching tonight – I had tears rolling down my cheeks by the end. I’m sure it was the extraordinary delivery and the beauty of his expressive face on that screen, but also, no doubt, that it was the final song of my over-the top Keith journey (for now!).

Worcester-YLGIMS!! & He Looked Great In HIS!!

Yes – the much requested YLGIMS is back and several other change ups tonight. But I’m getting ahead of myself.

Flew into Providence and drove to “wooster” but that town confused me and I was lost for a while before I found the arena and my hotel. I DID find 2 Urban virgins (one of them 6 years old!) to give a couple of my extra tickets to. Also tried to give one to an elderly woman standing alone in the box office line but I think she thought I was a shady character. Ah well – I tried!

DJ Debonair played a few different songs during set up today – including “We Will Rock You” which got the crowd stamping and singing. The DCU Center appeared to be pretty full – even the nosebleed seats in the third level.The seating was set up a little differently. It looked like they had a few seats (4 or 5) on either side of the catwalk – seats that would have been part of floor section 2, and then there were narrow aisles separating those seats from the bigger main floor sections 1 and 3. Some people in sections 1 and 3 probably thought they were next to the catwalk and weren’t, because of those section 2 seats. They also had the catwalk edged with tube lighting which they have only done at some of the shows (I know there were no tubes in Green Bay when I was right next to the catwalk.) Those tubes glow with red light during YTOM – I didn’t notice if they lit them at other times.

Keith was in good spirits and gave us several drop dead gorgeous smiles during the evening. ( In fact throughout the night I kept hearing groans and moans of delight from different ladies in the audience when Keith moved a particular way or they showed a particular yummy shot of him on the screen) He said he was “bloody glad to be back in Worcester” where I guess he played with The Ranch (he told his 6 people came to see them story). He said he was so glad the audience tonight came to see them rather than Justin Timberlake (who is apparently in town as well)- lol. He also recounted the very long journey he had to get there from the remote town where Nicole is currently shooting.

Early on there were a few little technical problems. I don’t think they had his guitar mike set quite right at first so Keith made several adjustments to the knobs on the unit he wears on his belt in back. And then a mike got away from him just as he was getting the audience to respond to his “Yeah, yeah, yeah” calls. But he takes it all in stride - the consummate performer!!

Tonight was Brad Rice’s birthday so of course we sang happy birthday to him – they didn’t say how old he is. The band did a little shorter set on the small stage, moving ITYS to the main stage tonight. I liked that because it was a much more boisterous ITYS – more like the album – than the acoustic ITYS they have been doing. I thought that number was really fantastic tonight.

Then he omitted ICSLY and did YLGIMS instead, which naturally got a big reaction from the crowd. ( No gals up on stage but he did point at gals in the audience when singing his little “you look might fine in my skinny wet teeshirt” lines)

And another blast from the past – the wallet chain was back!! I enjoyed Keith leading into DGB with a big “Oh hell yes!!” when the crowd immediately responded to the opening rhythm with cheers and claps.

He didn’t read any signs outloud, but did give a big laugh ( in the middle of a song) at the sign of a gal a few rows in front of me which read “70% Deaf – Let’s Read Lips”

I happened to be sitting next to the husband of that woman and he was not too pleased to be at the concert, but was there “to support his wife”. I had hoped Keith’s guitar wizardry would win him over by evening’s end, but he still looked pretty grumpy when he left (can’t win ‘em all!).

Cell phones were very in evidence tonight and this was one of the loudest crowds I’ve heard when calling Keith back for an encore with resounding stomping on the aluminum risers of the DCU, screaming, yelling Keith, Keith, Keith. We did do a very nice cell phone wave – I was glad because I missed it in Green Bay. He was funny when he told us this was the one time in the show when we could sit down (to do the wave) without looking boring and stuffy JHe sang Blister in the Sun again tonight but made the mistake of continuing on for a second verse, realizing too late that he didn’t know the lyrics (I’m not even sure there is a second verse!) so he had to improvise with “I don’t know the words but then you probably don’t either” as he was singing.

It was another warm sweaty night for Keith – I just love his when he flaps the front of his shirt up and down, playing peek a boo with his sweet belly. (I’d be happy to wipe his brow and neck, fan him, run ice cubes up and down his body – whatever it takes!!) When all the guys came out for their final bows Chris McHugh was feeling frisky and was kind of doing the bump with the guys on either side of him. And lately Keith has been making a final walk to each end of the stage after that last bow, waving to each part of the audience and showing his thanks to the crowd. Tonight he even blew a kiss!! : )

Mmm Mmm Memphis

Memphis: A Cautionary Tale and Who Was That Masked Man??

When I originally decided to go to the Memphis show I only bought a pair of tickets because my daughters did not yet know about summer jobs & plans. When the 4 of us decided to make it a "Girls Weekend Out" I had to search for 2 extra tickets. I bought 2 singles from 2 different Monkeys on the .net board. I have bought & sold tickets there before, but I guess I should have been more wary when one of the 2 Monkeys told me about the problems she had had with a male Monkey that tried to scam her and not pay for the tickets. She had had to call Ticketmaster and have them cancel the original tickets and re-issue the tickets as a result. Well Friday I met her at the FedEXForum in Memphis to get my single ticket from her and she was nearly in tears because the box office was saying that her ticket, her daughter's ticket and my ticket have been sold on Ticket Exchange by someone else, so those seats are no longer available. Apparently TM had not successfully canceled the tickets earlier so the guy did, in fact, scam her and sold them even though she had re-issued hard tickets in hand. The box office and TM (after several calls) said that nothing could be done (essentially saying it was her fault for being duped rather than their fault for not canceling the tickets when they re-issued new ones).

Obviously she and her daughter weren't happy and I wasn't happy - I now had one daughter without a ticket!!! So should we start approaching the scalpers lurking around the arena? Can we even afford what they will charge at this time?? Well I don't know if the distress-filled exchanges with the box office were overheard, or whether the box office personnel called someone else after getting our bad news from TM, but all of a sudden a gentleman in a black suit coat wearing a Keith Urban pass of some sort around his neck, shows up and hands a pair of tickets to the woman and her daughter, saying "Don't worry - you are going to the concert, here are some tickets!" She looks stunned, thanks him profusely, almost bursting into tears again, but then looks at me standing there. She says something like “Thank you, thank you so much but is there any way to get a 3rd ticket because we were scammed out of 3 and this woman came all the way from Iowa to see the concert?" Well the gentleman had no more tickets in his pocket, so he initially said "Sorry, I don't have any more tickets to give you." But I guess our sad faces were too much for him because then he changed his mind and said "Oh, okay - let's go buy you a ticket." And went to the box office and bought me a ticket!!! Of course all of these tickets were upper level - all that was left at that point - but at least we had tickets. I thanked him over and over and he said "No problem, I will "expense it" but then added "Just remember - those tickets came from Keith Urban!!"

(My daughter went down to see the lower risers where she originally was supposed to sit during the break after the Wreckers. There was an empty row just behind those seats where she was able to stay for Keith’s performance.)

More Magnificent Memphis

My Memphis internet connection is as slow as a southern drawl so I don't know how this will go, but I'll try adding a few things to what others have said. I agree that Keith seemed fully recovered today - his vocals were outstanding and I didn't notice any signs of his cold when he talked. He was so exuberant, happy and good natured. The fans were wild for him and I mean wild!! Not only was there a sea of signs (Keith commented on the number) and oodles of fans trying to slap his hand or touch him along the catwalk, but some succeeded beyond their wildest expectations (I imagine). There was the group that grabbed arms and feet when he knelt down on the catwalk - I think he had a little bit of trouble breaking away. And then the woman in about row 2 (on the RIGHT, so no, it wasn't sweetestpea I don't think) who somehow managed to leap completely up on the catwalk just as Keith was heading down it ! She fully grabbed him in a tight hug!!! He managed to extricate himself, smiling, and went merrily on his way down the catwalk. (She had the good sense to count her blessings and retreat back to her seat rather than being tempted to follow him). And during the encore (I think), someone close to her (maybe row 3) - probably emboldened by the earlier successful "assault" on Keithy - climbed up high enough on the catwalk rail that she was able to get a good handful of Keith's bottom and give it a good squeeze as he made his final return down the walk. Even then, he just jumped a little in surprise and looked back over his shoulder at her, laughing. (lots of jealous fans who wished they had been so bold as these ladies, I'm sure!!)

Other tidbits - Keith added a little "Sweet Baby" in the middle of GIRTT; He not only called Nicole before the encore at both St. Louis and Memphis - he told us he held up the phone towards the audience so she could hear the screaming and clapping of all of us that wanted more. He once again included a line about Brad having a lot of hair in the midst of Better Half and when particularly delighted about something in the show (can't remember if it was the phone wave or something else) I, for the first time heard Keith respond with a big "Sweet!!" He sang a bit of Walking in Memphis from the small stage which delighted the audience. He wore what I imagine was one of his favorite old tees last night - too faded to read and with a tiny hole in the shoulder; Brian had family in the audience last night whom Keith acknowledged. The crew is still working out little spotlight problems - maybe because Keith moves so much. Last night Keith briefly played to the left risers in the dark until the spotlight found him! The confetti again included hearts. Keith built a little suspense during one song on the catwalk by slowly pacing down, pushing the microphone ahead of him, bit by bit, down the runway ( with every row thinking "Stop here, stop here!!") He does seem to be changing his location a bit each show.

Meet Me in St, Louie

>Your "roving reporter" has arrived in downtown St. Louis with daughters. We drove down to the Arch, circled the venue 3 times, then went over to check into our hotel in the very cool Union Station. Coming from the parking lot we had to ride what looked like a little service elevator and when we got out, who should be standing there but guitarist/mandolinist Sweet B (Brad Rice)!! I asked him for an autograph - he looked shocked that I knew him but gladly complied and offered that I had just missed the other guys! (shucks!) I asked if he was heading to soundcheck but he said "No - that's at 4:00" but I wasn't thinking fast enough to ask what they all were doing this afternoon!

1:00 a.m. Woo Hoo! I am finally back from another terrific night but am plum tuckered out so a full review will have to wait. (I'd like to see a review from the fresh eyes of missourigirl anyway!) But I do have to say that the Keith Karma that was with me early today continued! My 3rd daughter's flight did not get in until 5:00 so we didn't make it to WIL radio's pre-party and giveaways as we had planned. But we did arrive in time to see a big crowd at another station’s ( "The Bull" – not sure of their call letters ) tent in front of the arena. Each of us grabbed one of their yellow raffle tickets. At 6:30 they drew for who would win BSEs with the Wreckers, ticket upgrades, and BSEs with Keith. Well, here we are, probably the only Iowans in a sea of St. Louis folks, and my youngest daughter has the winning ticket for a PAIR of Keith Backstage Experiences!!! She looked totally stunned but claimed the passes and the letter with the LPATWCT heart on it telling her where to go. But I have THREE daughters there - and two passes. Annie, the winner, certainly gets to go, but who else??? My daughters, sweeties that they are, initially say that Mom, who is head over heels about Keith should go. Much as I would have loved to go I tell them I have had my BSE - one of them should go. We flip a coin to make it fair and my oldest daughter (the first real Keith fan in our family) wins, which seems kind of right. Annie and Jen rush off to the fast approaching BSE rendezvous. Good luck continues to shine on them - they end up in the middle of their photo group so that both of them get to be next to Keith!! But they worry about the missing sister throughout and Annie uses her chance to ask a question to request that Keith sign a special autograph for her sister who couldn't attend (which he does, addressing it to Sara:). He sings It's a Love Thing to them and confesses that he caught a "hellacious cold" from Nic while in wintery Oz. (He later apologizes to the arena audience for sounding "like a back-up singer to Mr. Snuffleupagus" :) Although he was a little hoarse in spots he put his all into the show and didn't slack up one bit - the aussome showperson that he is!! Meanwhile, during the daughters' BSE, I am back in the arena with the losing daughter who is not taking it well at all. She may be a college grad but is not yet grownup when it comes to Keithy matters I guess. She wept until the concert started, attracting the attention of several security guards who probably thought she had been robbed or assaulted. She still isn't speaking to us!! (oh well, she's only 22 and I guess older women than that have been sore losers when it comes to not meeting Keith) Hopefully she will cheer up tomorrow! Even my Keith excitement will not keep me awake much longer (ready for some sweet dreams) so I will end with the sign that Keith said was the wackiest sign he had seen and insisted that it and the guy holding it be shown on camera: "Hey there Mate - Slap some of that sweat on me so my wife will really go for me!" Keith shook his hand and laid down on the catwalk to take a photo with the wife! More tomorrow!

Salutations from St. Louis!! Here are some bits and pieces of our concert experience at the first show after his short trip back to Australia.

I imagine this is a function of the venue, but one of the first things I noticed when entering Scottrade Center is that they had several more merchandise booths (good, I guess, because then there are shorter lines) as well as “program venders” set up in the corridor itself. I splurged on the beautiful (but pricey) collection of tour photos. Also St. Louis had rose venders, so we saw quite a few roses (as well as a big bouquet) given to Keith throughout the show. Scottrade is a big venue and does have nosebleed seats. Keith made a point of thanking the audience that was way up high and spotlighted them when he was on the small stage. As usual he also thanked those who traveled a long way to get to the show, but last night he added that he so appreciated those of us who drove for hours just to come to a show, only to have to drive back again – nice! Last night I mentioned the “Slap some sweat on me sign” – I don’t believe he read any others out loud but he acknowledged others with nods and laughs. It was also a big night for fans handing things to Keith (rolled up messages, cards perhaps, a poster size message (with small writing), etc. sp he had quite a pile of flowers and other things up on stage.

It was rather warm and humid in the arena (even the BSE was sweltering according to daughters) – Keith used his “sure is hot in the hot tub” line and toweled himself several times during the show. (I kind of like watching him towel his hair and neck – kind of like a glimpse of Keith coming out of the shower - lol ) ! For a while I could of sworn he had added silver balls to his earrings, but perhaps it was just beads of sweat! (Nope – the silver balls were there in Memphis too!)

How that man can sing and joke and strut and play the heck out of that guitar when he is sick is beyond me! (some of us can hardly be civil when we’re under the weather). He did a fantastic job and if I didn’t know his voice so well I may not have noticed the occasional hoarseness or slight differences in tone. The crowd certainly was with him all night and he noticed. He called the left risers “the rowdy crowd”, later told everyone he appreciated us being in such a good mood, joked with some fans that they must have started partying pretty early. Someone yelled out “I love Nicole” when he made some comment about catching his cold from her and he responded “Well we have a lot in common then!” He also had fun with the band as usual. They really cracked up when he sang “I ain’t slept in quite a while” in Faster Car (probably because he just got back from Oz last night ). He inserted a line in one of the small stage songs about Brad’s crazy hair, spotlighted the “Cue-balls” – Chris McHugh’s 2 boys were in the audience right next to the small stage so Keith brought them up on stage. They look SO much like Chris – really cute. So nice of Keith. I sure wish I had caught the even longer little “rap” that Keith did while introducing Chris Mc Hugh.

Two things were new to me last night and I hope it is not just because I was oblivious to these details earlier. No hat on Brian last night – instead he had bleach blond hair! (was that the case before???). And when the band was on the second stage both the stage and the catwalk were edged in bright red tube lighting – did I miss that before?? I forgot to mention that as the show was about to begin lots of fans gathered along the catwalk and I wondered whether there were going to be some unhappy fans who had catwalk seats that were then blocked by the crowd, but it seemed that security dispersed those standing at the edge of the walk.

There were a few little technological problems but Keith stayed in good spirits when the spotlights briefly wouldn’t go off for his cell phone wave and sang us a little technological problems refrain when his piano had a bad string or something before TIWC.

Although I never seemed to have my camera ready for some of the little gems of the night (like Keith bending down to bite the stem of a rose a woman held in her mouth by the catwalk or later bending down to kiss a hand or head (couldn’t see)) I did catch him playing his guitar with a rose in his teeth. But I missed him backing up the entire length of the catwalk with Brian butting his head against his back the whole way.

Keith you were a real trouper last night and put on another great show!!

Great Night in Green Bay

It has been a wonderful night for all who went to Green Bay Concert #2 and an extra special night for me. I am having to type this with just my left hand so as not to wipe any of the essence of Keith off the right one : )!! But more about that later.

My sister, who I am trying desperately to infect with urbanitis, accompanied me up north to the world of Cheeseheads. We did pass a couple cheeseries (is that a word?) and a volkswagon painted like a cheese on our journey. Things are different here – funny turn lanes, 3 wheel bicycle cabs, and other cultural distinctions I noticed during our trip. But the Resch Center is a nice venue – no nosebleed seats, and, as usual, the catwalk extended way farther than the venue seating chart has suggested, making many folks happy. There was a good crowd for the second night in town – not absolutely sold out (the far end of the arena had empty seats) - but everywhere else appeared to be full. And like Iowa, there were no sitters in Wisconsin – the entire arena seemed to be on their feet for Keith’s full performance.

The Wreckers changed their set tonight. The first 2 songs they sang I had not heard before – one was about “Different Church, Same Songs” but I don’t recall the other. They also performed Tennessee tonight, which they have been omitting lately, instead of “Cigarettes”. There was a little onstage performance flirtation between Jessica and Jason. My only complaint was that their sound seemed to be turned up quite high, so my ears were ringing by the time they finished their set.

It seemed like it took a little longer for the crew to set up for Keith tonight, or maybe I was just extra anxious. But in fact the whole audience seemed infused with an electric anticipation. Several times there were screams or excited “its starting” murmurs running through the crowd long before the heart began to grow on the video screen – so much so that periodically people would stand up and look around to see if they were missing some beginning that others were seeing. Kind of reminded me of the vibe in the crowds the year that Kenny Chesney began his shows with a surprise rising out of the floor in the center of the arena. Tonight it felt like people were just wired, expecting that Keith might surprise them in a similar way.

For the first time I was seated immediately next to the catwalk in row P. Oh my what seats those were!! Since it was my first time next to the guardrail surrounding the catwalk I started out the evening by checking it out. Could I shove that rail any closer to the walk? Nope – it is one sturdy fence! Can I climb on the rail to get a little higher? Yes! Nicely the vertical bars are spaced a foot’s width apart and a horizontal bar near the bottom (which I could stand on, if precariously) would get me up another 8 or 9 inches. Could I reach the catwalk? Yes – but just close to the edge. I was ready to make the most of my position!

Keith was wearing his favorite shirt with the tiny holes in the shoulder and some scrumptious jeans, smudged with what looked like brown dirt down the legs, but fitting oh so well. He said he was happy to be in Green Bay for a second night, that they had had a great time cycling through the beautiful countryside, and he loved riding in the state that manufactures Harleys.

The setlist was the usual but tonight, in particular, I was happy to be able to predict most of his ventures down the catwalk. When they made their first trip down the walk (is that at the end of Faster Car?) I hopped up on my perch as they were about to return to stage, stuck out my arm, and YES – got a slap/squeeze from Keith!! I was so tickled – jumped down and just kind of held out that hand, grinning, for my sister to see ( and she is laughing at me – probably looked something like a kid proudly holding out that first bloody lose tooth that finally came out!)

I never realized just how much “traffic” there is in that little space between the catwalk and the guardrail. Cameramen and staff people are scooting up and down that path throughout the evening. I first noticed that when a crouching staff person crept up along side me with a microphone stand, paused until the right moment, and then lifted it to the catwalk right in front of me. OMG !! I was exactly at the spot that Keith was going to perform ROS. I turned to my sister in amazement, explaining “He’s going to sing right here!!” I couldn’t reach him in the center of the catwalk but, my god, were my eyes touching him all over. Wonderful song, wonderful sight, I was torn about whether or not to let my camera come between us at that intimate moment. I was so shook up my voice wavered and cracked when I was trying to do my best when he asked us to sing. I could feel the beats when he drummed the ROS rhythm on the body of his guitar during the last chorus. I felt that I was living (in a positive way) a bit of Roberta Flack’s song (“ I felt all flushed with fever, embarrassed by the sound, I felt he found my board posts, and read each one out loud” ) .

Time for the set on the small stage. Keith thanked Wisconsin for making them feel so welcome and then confessed that, he doesn’t know why, but he is feeling particularly nervous and a little off balance tonight. Well, you certainly couldn’t see any “nerves” in his performance tonight!! It was so cute though– when Keith said he was nervous Chris McHugh got up from his drums, walked around the edge of the stage and gave Keith a big hug! Keith thanked him for “helping to re-center his chi.” Lol Perhaps Keith was feeling a bit off because it was darn hot in the arena. He asked us all if we thought it felt like it was 96 inside and said that it was so humid he thought it might rain inside the Resch Center! I felt bad for him – he is always both “hott” and “sweaty, hot” but tonight he was totally dripping. By the end of the show he was waving the front edge of his shirt up and down trying to cool his belly (just should have taken the whole shirt off!!) When he introduced Chris McHugh today Chris had sparkly aluminum-y antennae on and Keith could not help but laugh and make some soft comment (something like "and here’s Chris McHugh in silver ears"). He briefly read and joked about a sign (Kiss me- my husband says its okay), saying he first thought it said he should kiss her husband. He laughed at, pointed to and otherwise acknowledged other signs I couldn’t see and also complimented some audience members on the teeshirts they had made. At the end of ITYS I knew they would be heading back to the mainstage, so once again I jumped up and reached up as high as I could. My spot on the runway must have just matched Keith’s stride because – hallelujah – he once again slapped my hand as he went by!! A double dose of Keith contact, what a night!!

He once again did the I Can’t Stop Loving You guitar solo from the rising piano pedestal, gracefully leaping down afterwards to then sing Tonight I Wanna Cry. He did a very nice fairly long piano introduction before getting to the song itself. I’m not sure if the camera shots during TIWC were different tonight or my close encounters with Keith just cranked up my awareness to an even higher than usual level, but tonight I was mesmerized by the video screen close-ups of his lips brushing, caressing and pressing against the head of that microphone for the longest time as he sang those sad lyrics. I could not look away. Whew – it is not just the arena temperature making it hot in there!!

During WWWBM I once again felt cameramen creeping by me next to the catwalk, just as Keith was getting us all to sing along. I looked up at Keith and he is briefly backed (on the video screen) by a picture of me singing. Those sneaky camera guys!

Another Wisconsin difference – virtually no cell phone lights!! Us Monkeys or experienced concert goers in the crowd got ours out and tried to prompt the rest of the audience with absolutely no success. And it was not that folks weren’t cheering and screaming and clapping uproariously – they were – just no phones. This was obvious to Keith when he came out for the encore so even though it took a while for the crowd to stop screaming he did not bring up the topic of a cell phone wave tonight. I wonder if that was also the case at the first Green Bay show?? I missed the wave, especially since I had told my sister to expect that fun interaction.

There once again was a big band ending to GIRTT, with Brad Rice doing a bit of a guitar solo. In Better Life Keith made one last trip to my row P spot on the catwalk (thank you sweet prince!) I tried to pass him a Violet Crumble bar that I had brought along (with my “I’m Sweet On You” poster) but no luck. Or should I say no more luck, because I was definitely blessed with good fortune during tonight’s great show. Now I have to figure out how to take a shower without washing the Keith off my hand..........